The historic Palaniappar temple in Koovaimalai near Belukurichi is currently closed for renovation. The renovation work has been undertaken by the Arulmighu Palaniappar Kolli Hills Charitable Trust. The trust has come out with an invitation to all to take part in the renovation.
While the temple is closed to visitors, all the deities are kept in Paalaalayam in a temporary shelter opposite the temple. Visitors can worship here and the archagar lives nearby and can be called on for puja. The midnight pournami (full moon night) puja which has been a unique puja at this temple continues to be done with the utsava moorthi and still attracts big crowds. The same holds true for sashti and krithigai day pujas which are special rituals for lord Murugan.
Although visitors will miss going around this charming hill temple, they can still visit the hill to see the work being done, to enjoy the panoramic views of the Kolli Hills and surrounding places. Most importantly they can enjoy the quiet peacefulness and refreshing breeze that blows down from the mountains full of the fragrance and goodness of the mountain herbs. The drive to koovaimalai is a beautiful drive along excellent roads with all the charm of the countryside underlying these lush mountains.
Contact numbers of the Charitable Trust:
95666 56956, 98427 34187
Pictures from Koovaimalai:
PS: Make sure you have snacks, fruit and/or food in hand when you visit because this is an isolated place. There are no hotels in Belukurichi, but you can take packed meals from Rasipuram which has good hotels.
Maasimagam vizha is celebrated in the tamil month of Maasi (February-March) over a period of ten days with pujas and programmes at three ancient temples in Tiruchengode–Badrakaliamman temple, Kailasanathar temple and Ardhanareeswara temple. One of the highlights of the colorful festival is the Paal-kudam procession. The Paal Kudam Procession Around 7a.m on 1st March, 2018, everyone taking part in the paalkudam (milk-pot) procession for Masimagam were gathered at the Badra Kali Amman temple in a narrow lane off the North Car Street in Tiruchengode town. There were familiar faces everywhere, faces that I saw only during the festival every year.
Siva and Parvati were already at the temple ready to lead the procession. A trained classical dancer and expert in folk dancing and Sivan-sakthi Thaandavam, Dr. Muthukumar was known to the local people as lord Siva, a role he took on year after year for Masimagam. Together, he and Parvati would lead the procession through the four ratha veedhis ( north, south, east and west car streets)around the ancient Kailasanathar temple in Tiruchengode. Click on the link to know about Kalaimamani Muthukumar and the rich cultural tradition of Tamilnadu folk dances. The participants prayed to Goddess Badrakali amman and received a small garland of flowers in front of the goddess in the sanctum. This was followed by the Sivan-Sakti Thandavam dance performed by folk dancers representing lord Siva and devi Parvati to the accompaniment of traditional musical instruments.
Pictures from the Badrakali amman temple on Maasimagam
Sivan and Parvati
The procession started from the temple and went along the four ratha veedhis moving slowly and stopping at intervals for the dance of Siva and Parvati. The ratha veedis are the four streets along which the temple chariots are pulled by the people at the time of the annual chariot festival, but today the milk pot procession would follow the same route for the Masimagam festival.
Prayers at the Badrakali amman temple
Sivan-sakthi thandavam dance performance before the start of the procession.Besides pots of milk, devotees carry large baskets with fruit, coconut and flowers for puja in the Ardhanareeswara hill temple.
Worship of snakes is as old as civilization. Naagam or sarpam refers to snakes. Serpent idols and sculptures are found in many temples of Tiruchengode..a constant reminder of the mythical beginnings of the holy hill which was called Naagamalai and Naagachalam as Aadhisehan worshipped lord Siva after he was thrown here, wounded and bleeding, in the battle of might with Vaayu. This fascinating wood sculpture of a five-hooded serpent is seen in the Badrakali amman temple!
Pictures of the annual paal kudam procession
Around the ratha veedhis, colorful images of lord Ardhanareeswara and other deities can be seen on mandapams like the one above, a constant reminder that this is the city of Ardhanareeswara. Many mandapams have been rented to shopkeepers with minor alterations.
A closer view of the above pic.
Destination-the temple on the hill
Devotees walk with friends and family towards the temple on the hill.
The hill temple of lord Ardhanareeswara is visible from Tiruchengode town and foothills.
The Aarumugaswamy Temple
Participants reach the old stone steps near the Arumugasamy kovil, another ancient temple for lord Murugan at the foot of the Tiruchengodu hill. Most of the participants take the steps that go up the hill to the temple of Ardhanareeswara. A few, mainly the elderly and those with health issues who cannot climb the steps take the hill road to reach the temple.
The arch indicates the way to the steps beside the Aarumuga swamy temple which lead up the hill.
The steps begin beyond this pillared mandapam. There are mandapams along the winding way up the hill.They were built to provide a place for people to take rest when they undertook the arduous climb to the temple of Ardhanareeswara.
Maha abhishekam The main event in the Malai kovil (hill temple) is the Maha abhishekam. The first abhishekam is for Sengotuvelar, the second for Ardhanareeswarar and finally the abhishekam of the utsava moorthies in the maha mandapam. The Abhishekam for lord Ardhanareeswara commences exactly at 12 noon and it was this abhishekam in the sanctum sanctorum that I was fortunate to see this year. A big vessel was kept outside the sanctum to collect the offerings of milk. This was taken inside the sanctum and the Sivaachariar poured innumerable pots of milk from the vessel over the deity. It is when abhishekam is performed that you get to see the matchless beauty of the Moolavar deity which otherwise is covered in vastra (clothes) and flowers. Another highlight of the day was when Siva and Parvati who led the Paal-kudam procession came to the sanctum to offer prayers to Lord Ardhanareeswara.
After Deeparadhana we went to see the abhishekam of the utsava moorthis in the pillared hall. This was an even grander ritual. There were three barrels full of milk alone brought by the hundreds of people who visited the temple that day. Besides milk there were pots of sandal, turmeric, honey, pancha-mirtham, tender coconut, vibhoothi, curd and so on. Every offering was accepted from the hundreds of visitors to the temple and it took a long time for the abhishekam to be complete. Visitors came from places as far as Coimbatore, Tiruppur, Erode, Chennai just to have darshan of this unified form of Siva and Parvati on this auspicious day.
Annadhana for everyone In the annadhana venue on the hill, annadhana commenced from 10 in the morning. Everyone was invited to have lunch at the annadhana hall and pandal. It consisted of a special kulambu made with seasonal veggies like mochai, yellow pumpkin, avarakkai, and drumstick, with rice, rasam, cabbage porial, and sweet pongal. Everyone who took the vow ended their long fasting with this special meal served on behalf of Lord Ardhanareeswara. After lunch everyone waited around the temple for the alangaram of the deities to be completed and then gathered to see the special elaborate deeparadhanai.
Waiting in the majestic halls of the temple. After abhishegam, darshan is not complete until you have seen the Deeparadhanai.Alangaram of utsavar deities of Ardhanareeswarar and Sengottu Velar after Abhishekam
With this the Maasimagam rituals ended in the hill temple with concluding pujas and annadhana in the evening at the Kailasanathar temple.
It is that time of year again when in Tiruchengode theMaasi magam festival is just days away. The town wears a festive look as it gets ready to host the biggest festival of the year.
Every year in this temple town the festival unites people from places both near and far away. Observing the vratha is a thread that binds and connects all who take the vow towards Lord Ardhanareesawara.Some observe austerities for a mandalaconsisting of forty-eight days starting in December. Some wear the holy mala for a half mandala of twenty-four days and some for a shorter period of twelve days. The vratha basically helps to focus the mind onArdhanareeswara and to purify the mind and body by fasting.
During these forty eight days there are various activities like special katalai puja, bhajans, annadhana that are organized both in the malai- kovil (hill temple) and also at the ancient Kailasanathar Siva temple in the heart of Tiruchengode town.
17th February was the day for wearing the mala for the last twelve days of the mandala.
The temple of Ardhanareeswara is fascinating even though I have visited it many times.
The sculptures are always a delight to see and admire. Sometimes I also see unusual people in the temple who are not our usual urban city-dwellers.Even the people who work at the temple have a blessed simplicity to them that is hard to explain. And sometimes the thought comes to my mind that these people are so very blessed to be living a life so close to a divine presence.
The much awaited Maasi Magam is on 1st March, 2018.
This row of sculpted pillars is the first thing you see when you enter the temple from the north-facing Rajagopuram. A row of warriors on rearing horses..the symmetry in stone is marvelous.
And under the horses are sculptures depicting the perpetual battle between man and beast…it is a constant battle of might and will power. It is a tribute to the sirpi(சிற்பி,Tamil for sculptor), who brought these sculptures to life with his ulli (உளி/chisel).
The pillared hall near the main shrines has many exceptional sculptures. In this sculpture you can see a man stroking his moustache- his posture, the details of his garb, jewelry, hairstyle of the age, and the expression on his face are intriguing.
A closer look at the above sculpture
This year there were a lot of young calves up in the hill temple. They were so tame that they came up to visitors and accepted snacks from them!
This man was cleaning the outside of the goshala. They also serve who do the smallest tasks.
Sivan-adiyaar(சிவனடியார்)is the word we use when we speak of those who have devoted their lives to lord Siva. They are considered to be in the service of lord Siva. I saw this Sivan-adiyaarstanding quietly near the Adhiseshan shrine in the temple. He did not speak to anyone and was standing there for a long time silently looking at the idols and Sivalingam.
Life throws surprises our way when we least expect it. Even as I was writing the post on Arapaleeswarar temple, entirely by chance I came to know that the Mahakumbabishekam was to be performed on 7th May 2017. On the rare occasions in the past when I could visit this temple it was being renovated. On completion, a special and rare ritual called Mahakumbabishekam would be performed. This event was rare because it would be done only once in twelve years. The present kumbabishekam is being done fifteen years after the last ceremony.
The Vedic rituals preceding the Mahakumbabishekam of Arapaleeswarar Temple had commenced in April. It had been some months since I went to this temple and had no idea that so much was going on. On the evening of 6th May, I had an opportunity for a quick visit to the temple. It turned out to be the trip of a lifetime.
The late evening drive to Kolli hills, the visit to the Arapaleeswarar temple where a major event was to take place in a few short hours, the visit to the colorful and vast yagasalai, the heavenly dinner consisting of piping hot sweet kesari, upma, spicy tomato vegetable rice with chutney and sambar at the annadhanam venue, walking through the streets around the temple with brightly lit festival shops, seeing sadhus and renunciants everywhere, watching families of local people arrive with little children and old people carrying shawls and water bottles ready to keep the overnight vigil at the temple and yagasalai until the early hours, the star- studded sky, the cold mountain air, the white smoke from the yagasalai rising up amidst the surrounding forests, the chanting of veda mantras and the sivachariyar explaining what was going on, why it was so important and the subtle benefits bestowed on all who were gathered there on this magical night…all these happenings have a dream like quality when I think of it now.
The words faith and devotion had a new meaning for me that night. It was love for Lord Shiva, a love of the purest kind with no expectations whatsoever. It was the thread that connected everyone who gathered at this sacred place in anticipation of an event of a lifetime.In conclusion, this is the message that was reiterated at the ceremony:
Idhu Siddhargal Bhoomi. Idhu Siddhargal vazhi padum Kovil: This is the land of siddhars. This is a temple where the siddhars worship lord Siva.
Photos of Arapaleeswarar temple and from the yagasalai on the eve of Mahakumbabishekam. The pictures from the yaga sala show that the place was covered in smoke from the many yaga kundam.
Note: A kumbabishekam is essentially the reconsecration of a Hindu temple performed once every twelve years. It involves complex vedic rituals performed over a period of days and includes yagas that benefit the society as a whole. As a part of the procedures, the temple is restored and renovated. It is celebrated as a festival in South India, especially in the State of Tamil Nadu.
Arapaleeswarar temple is an ancient Siva temple on the banks of the Aiyaru or Panchanadhi river in the village of Periya koviloor in Valapur nadu of the Kolli hills. Since ancient times it has been an important pilgrimage site of Tamil Nadu. The temple was built during the reign of King Kulothunga Cholan 1400 years ago, but its history dates back to a much earlier period more than 2000 years ago.
History of the Temple
Long ago, a part of the Kolli hills was known by the name Araipalli or Arapalli. Arapalli literally means residense/house of dharma. Lord Siva who was worshipped in this region of Arapalli was called Arapally Iswarar or Arapaleeswarar, The Lord of the house of dharma.The Sanskrit name is Dharma Gosheeswarar. He was also known as Araipally Mahadevan and Araipally Udayar. The name of Parvati is Aram valarthanayagi also called as Thayammai.
It is said that the place where the temple is built was once farmland. When the land was ploughed the plough hit something and blood gushed out. The people dug around the spot to find a suyambu sivalingam and began to worship it. The scar made by the plough can be seen on the lingam even today.
Arapaleeswarar was worshipped by Valvil Ori, the Mazhavar king who ruled the Kolli hills It is believed that a secret path exists from the Arapaleeswarar temple to the Kailasanathar temple in Rasipuram which was also a part of the kingdom of Ori.
After Valvil Ori, the kingdom came under the Chera and Chola kings.
The temple is a Thevara vaippu sthalam. The 7thcentury Thevaram hymns of Tirunavukarasar and Tirugnanasambandar speak of this temple. In the hymns Appar speaks of this sthalam as Kolli kulir arai palli and as kallal kamazh Kolli arai palli. Tirugnanasambandar refers to Arai palli in his Tiruthala kovai pathigam.
A medium sized temple it is built in very beautiful natural surroundings of the Kolli hills. Hills and valleys stretch into the distance all around. There is no gopuram at the entrance. The top of the outer madhil (high surrounding wall) has the images of siddars at intervals.
The outer stone walls of the garba-graham (sanctum santorum) are covered with inscriptions detailing various grants and endowments. Sembian Mahadevi, the dowager queen of Sivagnana Kandaraditya Chola devar and great-aunt of King Rajaraja Cholahas visited the Arapaleeswarar temple.She rebuilt and restored many temples in the Chola kingdom and was actively involved in the maintenance of Siva temples. In the Arapaleeswarar temple there is an inscription that speaks of 100 “kalanju” gold donated by her. It is also said that she donated many jewels to the temple. Interestingly Sembian Mahadevi was a Mazhava princess, the daughter of Mazhavarayar.
Land grants were made by other Chola kings.
That they have made the arduous journey when the region was virtually inaccessible speaks a lot about the greatness of this temple.
Nandi the divine bull of lord Siva is seen seated in front of the kodi maram (flag staff) and bali peetam and facing the Lingam inside the garpagriha in all Siva temples. In the Arapaleeswarar temple the image of Nandi has only three legs. The right hind leg is mutilated and the culprits are two men whose images are seen facing the temple, across the road outside the main entrance.
The Story of Nandi
The story is told that Nandi, the divine bull grazed on the farmland belonging to the two men, who, not knowing that that it was Nandi devar, tried to drive it away. But the bull continued to wreak havoc in their fields. Enraged, they chased the bull with a sword. To save itself the bull entered the Arapaleeswarar temple and sought refuge in lord Siva even as one of the men flung his sword on the bull from outside the temple. The right hind leg was severed and Nandi has remained there ever since with a missing leg while the men have remained outside.
These two men have stood outside the temple doors of lord Siva in the kolli hills for ages .The wrong they did was to harm another living creature.
The lingam of Arapaleeswarar in the garbagriha is medium sized. Standing before it, time becomes irrelevant. The present could easily be a moment in time thousands of years ago. Nothing seems to matter anymore as the peace and grace of God surround you. Words do not fully describe the feeling. It must be experienced by devotees at least once in this lifetime.
Vinayagar, Arapaleeswarar, Thayammai and Murugan can be worshipped together from the same spot inside the temple.
Probably not seen elsewhere in India is the very rare and beautifully carved Sri Chakraon the stone ceiling outside the shrine of Aramvalartha nayagi.There are intricate sculptures of Ashta Lakshmis all around it. Prayers offered to Thayammai or meditating while sitting directly beneath the Sri chakra are said to give powerful benefits.
The first shrine in the outer courtyard is that of Subramanyaas Aarumuga peruman. The idol is extremely beautiful with intricate carvings. Valli and Deivanai stand on either side.Saint Arunagirinadhar who lived in the 15th century has sung a Thiruppugazh hymn on Kolli malai Murugan. There are separate shrines on the pradakshina path for Vinayaka, Kasi Visvanadhar, Kasi Visalakshi, Mahalakshmi,Saraswati, Durga, Chandikeswarar, and Aram Valarthanayagi and nava graha.
The shrines of Murugan and Ambigai are built in a way that they are facing each other. It is as if the divine mother is gazing fondly on her beloved son.
The theertham of Arapaleeswarar temple is the Panchanadhi aka Aiyaru river.As the name indicates it is five rivers flowing as one. A hundred steps lead down to the river. Where they end is a beautiful Vinayaga shrine.
The Panchanadhi does not dry up even in summer when the water flow is less. It forms small water falls on its way. One small waterfall is near the temple. Further on its course it plunges into a gorge from a height of 300 feet to form the spectacular Agaya Gangai falls, a major tourist attraction in the Kolli hills. The base of the falls can be reached by climbing down 1025 steps. The steps begin near the Arapaleeswarar temple.
A temple where Fishes are sacred
The fishes in the Aiyaru river are sacred. They are believed to be the manifestations of Lord Siva. A story is told about this tradition.
The story of the sacred fishes
Once, some devotees caught fish in the Aiyaru, cut them up and made a curry on the banks of the river. While the curry was boiling they went up to the Arapaleeswarar temple to have darshan. On returning from the temple they were stunned to see the cut fish jump whole and alive from the boiling curry into the river. The miracle was a subtle message that lord Siva lived in all forms of life in the mountain. So no one catches fish in the Aiyaru river.Based on this story,it is said that the name Arapaleeswarar is derived from Arutha meenai poruthiya Iswarar,meaning -Lord Siva who joined together the cut fish. The people believe that it is Arapaleeswarar who resides as the fish in the river. Pilgrims and devotees feed the fishes when they visit the temple.
There is an old and unusual ritual at this temple related to the fish in the Aiyaru. The indigenous people believe that it is lord Siva who has taken the form of the fishes in the river. They make a vow to offer a tiny mookuthi nose-ring to the fish when prayers are answered. On fulfillment of vows, a large fish in the river is caught, a tiny mookuthi is fixed on the snout and released back into the river. An indigenous fruitseller explained it like this:” Let’s say I go to buy a farmland. I pray to Arapaleeswarar, ‘If the deal goes in my favour I vow to give a gold or silver nose-ring to you’. After a satisfactory farm deal, I put a tiny mookuthi on the snout of a fish in the Aiyaru. It is the offering I promised to Arapaleeswarar who has helped me clinch the deal”. This ritual is not followed so much now as it was in the old days.
The Mahakumbabishekamof Arapaleeswarar Templetook place last week on May 7, 2017.I could not go to see the actual kumbabishekam but I was fortunate to visit the night before.
In anticipation of this year’s Maasi Magamfestival, Tiruchengode town and Sri Ardhanareeswarar templewear a festive look, this being the most important festival of this temple town. Hundreds of devotees take a vow of austerities by wearing the holy maala for a prescribed number of days. Life becomes focused on only one thing and that is Lord Ardhanareeshwara, the divine Father and Mother of the universe.
For me, it is always a pleasure to visit the temple and taking the vow is just another excuse to visit Ardhanareeswara, Ammaiyappan.
This year, our small group went to the temple to commence the viraddam by wearing the maala blessed and given by the Sivachariya in front of lord Ardhanareeswara. It was a subh muhurtham day with dozens of marriages taking place in every available corner of the maha mandapam in the temple. Ardhanareeswara temple is the temple for marriages because unity of husband and wife is what lord Ardhanareeshwara is all about. Mango leaf thorans were strung everywhere between the ornate pillars and many homa kundams for the many marriages.
On every visit to the temple,there is always a surprise, some new sculpture to marvel at, that previously went unnoticed by me. The temple is too full of of detailed sculptures of all sizes to be covered on a single day and this time it was a carving of lord Ganesha on the rock near the shrine of Aadhi Seshan below the Raja gopuram.
Carvings of two serpents can be seen on either side of Ganesha on the rock. as befits another name of this ancient Tiruchengode hill, which is Naagachala. No wonder that serpent carvings are seen everywhere on the hill either as Aadhi Seshan or as Naagars.
Spending time in the beautiful temple after darshan, it was amusing to watch the goings on! Slowly the big mandapam emptied as wedding groups left. The temple staff started cleaning up and a bunch of monkeys joined in! They were everywhere, even high up on the temple pillars, on the railings, the floor, a couple of baby monkeys were sitting on the Maha Nandi! People were offering fruits and tidbits which they took absolutely unafraid.
An important reminder :
This year’s Maasi Magam is celebrated on Saturday,11th March, 2017.
Below are pictures taken inside the temple on this visit:
Palaniappar temple on Koovai malai, a hillock in the foothills of Kolli Malai, in Pallipatti 3kms from Belukurichi near Rasipuram,in Tamil Nadu stands out against the beautiful green backdrop of Kolli hills.
The name Belukurichi is derived from the ancient Tamil words Velavan Kurinji.
Velavan, another name for Murugan is the patron deity of Kurinji which is one of the five different landscapes categorized by the ancient Tamil people. Kurinji is the mountainous and hilly regions of the land. It is inhabited by Veddar, Kuravar and Kanavar tribes who are hunters.
Koovai malai is also called Koogai Malai. Koogai is the ancient Tamil word for the Owl. The Kolli hills as viewed from this hillock does look like a giant bird with outspread wings.
The people of the Kolli hills were hunters in those ancient times and they worshipped Murugan as one of their own, a hunter like themselves.
In the popular legend of Murugan’s courtship of Valli and their subsequent marriage Murugan goes to meet Valli in the guise of a handsome young hunter, Valli being the daughter of Nambirajan, chief of the Kuravar tribe which is also a hill tribe. It is this form of Murugan as the handsome hunter that we worship in the Palaniappar temple.It is said that Murugan set out from here to Valli malai where Valli lived.
The temple is believed to have existed since more than 3000 years ago.
Saint Bhogar who lived 3000 years ago is believed to have visited this temple after which he went to Palani and created the idol of Palani Murugan.
Thus the name Palaniappar means Palanikku appar,’the one who came before Palani’.
The Tamil poetess – saint Avvaiyar is said to have worshipped here.
King Valvil Ori worshipped Palaniappar here before visiting three other temples in the region. While talking about the history of the temple, the archakar thiru. Sendilkumar said, “Come, I will show you the statue of Valvil Ori with his queen”, and led the way to a block of granite at the entrance to the temple with carvings of Valvil Ori with his queen. Valvil Ori is shown holding a bow in one hand.
Whenever I visited temples in the regions ruled by Valvil Ori in Sangam AgeTamilagam I found that people still spoke proudly of this king who was celebrated as one of the kadai ezhu vallalgal.The power of folklore that kept alive the name of a famous king of 2000 years ago is amazing!
FOOTPATH TO KOLLI HILLS
It is significant that the images of the king and queen face the ancient footpath/bridlepath down the mountains.
Coming down from the mountains on this ancient path which is 10 feet wide, the temple is the first stop in the foothills.
This path is still used by the Palangudi indigenous people of Kolli Malai.When we visited, the archagar’s wife, pointing up the hills asked me if I could see a man going up the mountain path. Looking where she pointed I could indeed see a moving white speck way up the mountain! It was a man on his way up and further up there was another climber! I asked her how long it took to reach the top. “It may take more than two to four hours for us,” she said, “but for them (the hill people) it is a climb of 30 minutes or 45 minutes at the most”. The Pazhangudi people use this path to bring mountain produce such as honey, spices, jackfruit, pineapple and so on to the Belukurichi sandhai ( weekly market), mostly as thalai sumai, meaning they carried their goods on their heads! A sturdy people they are too! The Belukurichi sandhai is very famous and is held on all Saturdays.
A forest ranger who joined in the conversation said that from Belukurichi village the distance to the temple is 3 kms. And the distance from the temple via the footpath to Othakadai village in the hills was 3.30 kms. Since the new Nariangadu- mullukurichi road was opened in the kolli hills, some of the hill people now chose to use this road after climbing down part way down the hills.
This footpath is also used by trekkers.
Palaniappar temple is the only Murugan temple in the world where Murugan is worshipped in the form of a Veddan or hunter in the sanctum sanctorum.
The way to the temple is up the flight of steps leading from the base of the hillock. This way is now closed for renovation. There is a stone- built mandapam at the foot of the hill that was probably used for resting and for utsavams and festivals. Behind this mandapam the old temple car is kept.
A short distance up the steps is the Yaanai Paali(யானை பாலி),a perennial spring on the hill. There is a colorful life- size image of an elephant and the entrance to the sunai (spring) is between the feet of the elephant! The archagar said that the spring used to be called as Pillaiyaar Paali. Later when the elephant entrance was built it came to be known as Yaanai Paali. The spring never dries up even in summer and the waters have healing, medicinal properties that are used to treat skin ailments.
Further up the hill there is another spring. I asked the archagar about it and he answered, “That spring is for the Aadu, maadu, paravaigal ( the cattle,goats and birds) that come up here to drink from the spring and the yaanai paali is for the use of humans”. An amazing but lovely tradition that taught peaceful co-existence with all living creatures!
A good motorable road goes around the hill right up to the back entrance of the temple, which in the olden days was the front entrance. The other entrances came much later.
A short flight of white washed granite steps lead to the temple. A spacious courtyard/prakaram leads to the Deepastampam and there are some more steps to the pillared maha mandapam.
Lord Palaniappar in the garba graha is one of the most beautiful deities. Facing west, about 3 1/2 feet tall, Murugan is in Veduvan kolam and a handsome young hunter he is! His hair is piled in a knot on the right side of his head in a hairstyle called as kondai. We can see a string of konrai (golden shower) flowers worn around the kondai. On the holy forehead can be seen the vibhuti (sacred ash) pattai and kumkum in the middle, symbols of Siva and Parvati. Malas or strings of beads, perhaps rudraakshas grace the chest.There are amulets on the arms.The Vastra worn from the waist has strings of Vilva ( bael) leaves adorning it. We can see a pichua kathi(பிச்சுவா கத்தி), a small dagger worn at the waist as well as the dagger case! In his left hand Palaniappar holds a plump rooster(சேவல்) while in his right hand He holds a long Eeti (ஈட்டி)or lance.Ornaments called thandai(தண்டை) adorn the ankles while footwear calledpaadha kuradu(பாதகுறடு) are worn on the beautiful holy feet. All these details are etched in stone, on this beautiful idol. The beautiful face and the divine smile are enchanting.
On the ceiling of the Artha Mandapam an engraving of two serpents swallowing the Sun and Moon can be seen.
The temple faces west, and on a good day the Tiruchengode Hillcan be seen from the Maha mandapam.
There are small shrines for Vinayaka, Koogalingeswarar and Kumari Nayagi ambal. There is a separate shrine for Vishnu, with lord Krishna with his flute on one side and Aadhi Seshan on the other. All these are later shrines consecrated in the last century. Koogalingeswarar and ambal were consecrated by the archagar’s maternal grandfather.
Pournami pooja at midnight on full moon nights is a famous ritual of this temple attended by large crowds of people. The first pournami pooja was started on 28. 3. 1983 on a Monday in the month of Panguni of Thundhubi varusham (year) when the archagar’s maternal uncle served as temple priest. That same year, Sri Kripanandha Vaariaar, popularly called as Vaariaar Swamigal, visited and held a Sotrpozhivu or religious discourse at this temple.
Saint Arunagirinadhar composed two Tirupugazh hymns on lord Muruga of Kolli Malai. In the second hymn starting with the words Thollai tharu.., he says that Murugan went to court Valli who was guarding the millet field and that he took a gift of leaves as was the custom in those days.
In the line,’Koydhu thazhaye kondu sellum mazhava’, Murugan is called as Mazhava, or member of the mazhavar tribe.History records the fact that the Mazhavar kings ruled the Kolli and surrounding areas for many centuries. Valvil Ori was also a Mazhavar king.
கல்லுருகவே யின்கண் அல்லல்படுகோ வம்பு
கல்வருக வேநின்று குழலூதுங்
கையன் மிசையேறும்பன் நொய்யசடையோ னெந்தை
கைதொழமெய் ஞானஞ்சொல் கதிர்வேலா
கொல்லைமிசை வாழ்கின்ற வள்ளிபுனமே சென்று
கொய்து தழையேகொண்டு செல்லும் மழவா கந்த
கொல்லிமலை மேநின்ற பெருமாளே
Song 607 – Thollaimudhal (kollimalai)
kalluruga veyinkan allalpadu go am pu
galvaruga venindru kuzhaloodhum
kaiyanmisai yerumban noyyasadai yonnendhai
Kaithozha mei nyaanam sol kadhirvela
kollaimisai vaazhginra valli puname sendru
kollaikollu maaran kai alaraale
koydhu thazhye kondu sellum mazhava..kandha
kollimalai menindra perumale
These lines allude to the legend of Murugan meeting Valli as a young hunter and it is believed that they refer to Vedduva Murugan in this temple.
WINDS OF CHANGE
Renovation work is being done. The temple will wear a new look when it is completed. The peaceful isolation may become a thing of the past. When the breeze blows from the mountain in the evenings bringing the healing fragrance of the hundreds of herbs which Kolli malai is famous for, there is apprehension that all this may be lost to change. But the grace of Palaniappar will be bestowed on all who seek him.
The temple is open continuously from 7 a.m to 5.30 p.m.
Since it is 3 kms from the village there are no crowds except on special days like the full moon day and weekends. There are no houses or even shops near the temple. Offerings for pooja like flower garlands, coconuts, bananas, betel leaves and areca-nut can be bought in Belukurichi.
The temple in idyllic surroundings is the perfect place for a picnic or to spend some quiet time away from it the bustle of the city.
Koovai malai is in Pallipatti, part of Bail nadu in Kolli Hills Taluk.
Located in Reserve forest area of the kolli range, the temple can be reached by road from Belukurichi, a fairly large village right below the kolli hills, 13.6 km from Rasipuram and 13.8 km from Sendhamangalam.
Belukurichi is accessible from Salem, Rasipuram or Namakkal which have good hotels. The temple is an hour’s drive from Salem.