Maasi is the month (Feb-March) when the days are turning warmer after the pleasant cold weather of Margazhi and Thai. In temples all over Tamil Nadu, Maasi Magam is a special day when the deities are given a holy ritualistic bath.In the temple of Lord Ardhanareeswara on Tiruchengode hill, this ritual is called the Maha-abhishekam, the ultimate abhishekam.
On Saturday, 11th March, 2017, our group of six members joined hundreds of participants of the maasi magam vizha as they congregated in the ancient Badrakali amman temple in Tiruchengode town. It is customary to begin the procession after prayers are offered to goddess Badrakali. The participants then walked along the very narrow and winding lanes of this historic town to the main ther veethi.
At seven in the morning it was a scene of ethereal beauty as saffron clad devotees walked in silence, all bearing decorated pots of offerings of their choice for the abishekam. Folk dancers representing Siva and Parvati led the way. At the main ther veedhi, the procession stopped briefly for a dance recital accompanied by music, and beautifully rendered by the folk dancers. As police-men made way for early morning traffic the procession moved slowly along the four ther veethis (chariot streets).
The participants then went to the malai kovi (hill temple) of lord Ardhanareeswara for the maha-abhishekam.
After darshan of Lord Ardhanareeswara, everyone waited for the abishekam to begin. This was no ordinary abishekam and the offering-pots contained a wide, interesting variety of sacred things. At the auspicious time the abishekam was first performed in the main sanctums of Senkotuvelavar(Murugan) and Ardhanareeswara. The beautiful utsava deities of Ardhanareeswara and Sengotuvelar were brought to the maha mandapam and placed on the central stone platform so that the rituals could be clearly viewed from all sides.The Maha abishekam commenced after the abishekam in the main shrines were completed.
A unique sight and an experience to cherish!
An awesome 1500 pots of milk, endless pots of vibhuti,honey,sandal-paste,,grapes,choppedbananas,sugarcanejuice,riceflour,panchamitham,turmeric,kalkandu(sugarcandy),panangarkandu-candy made from palm-sugar and pomegranatepearls were poured on the deities. Most of the offerings were collected and given back to the devotees as prasadam.
Faith And Blessing
Everyone present that day must have felt as I did, a divine peace and blessing fill the heart as the abishekam progressed. Seeing the abishekam was a purification of hearts and minds and this cleansing deep inside gave strength of a divine kind, the courage to face the world with all its imperfections and trials. The divine blessing is a balm, a gentle reminder that on this hard journey of life God makes his presence felt in many, many ways.
Pictures from the Masi Abishekam
Read more posts on Maasi Magam and Ardhanareeshwarar Temple by clicking on the links below
The unexpected is an intrinsic part of travelling.
Unplanned visits to wayside shrines every so often are full of surprises. One such shrine that I visited yesterday is off the Salem- Bangalore National highway, NH 44 (previously NH 7), in Gurubarapalli, a few kilometres before Hosur.
Frequent travellers on this highway will know that this is one of the most scenic roads in Tamil Nadu, passing through beautiful Krishnagiri district with its lakes, hills and forests. The route is dotted with many hills and hillocks on both sides of the road that are mostly enormous piles of rounded smooth rocks and boulders and a delight to watch.
The temple is clearly visible towards the left from the highway as you travel from Krishnagiri to Hosur It stands out in the wilderness. Turn left on the mud road near the temple..there are no sign boards.
A twin flight of red painted steps lead to the cave temple on the hill. We started towards the steps but the priest led us to a small shrine on the left that had an idol of Durga devi. After offering prayers here, we went to the cave shrine. The priest was a physically challenged person but he climbed the steps very quickly and was at the top before us to unlock the doors of the beautiful shrine.
Inside the cave is a small idol of Vishnu. To the right of the idol is a small stone garlanded and coloured red by vermillion which is worshipped as the Suyambu Perumal.
Rasipuram is a small ancient town with narrow streets and many small but very old temples. Its historical name was Rajapuram.
It is famous for the ghee that is made here called Rasipuram Nei. It has a rich and wholesome flavor.
The silk sarees that are woven here are beautiful. They are known as Rasipuram Pattuand the silk weaving tradition of this small town goes back many hundreds of years when the silk cloth made here was sent to neighboring countries.
Today in addition to the above, it is well known for the many educational institutions around it.
Its proximity to the Kolli hills makes it an important stop enroute to the hills.
And it was part of the Kingdom of Valvil Ori.
The featured image is the stone sculpture of King Valvil Ori in the temple.
According to legend the existence of the temple spans four yugas. A granite slab within the temple gives us details of the legend of the temple and of Rasipuram town.
In the Krudha Yugam the town was called Indrapuram. The name of Lord Siva was Neelakandamoorthy worshipped by Indra, king of the gods.
In the Tretha Yugam, the town was called Devapuram. Siva was called Chandrasekarar and he was worshipped by the nine planet gods.
In the Dwapara Yugam, the town was called Vichitrapuram. The lord took the name of Sitteswarar and he was worshipped by siddas and rishis.
In the Kali Yugam, the town was called SriRajapuram and Lord Siva’s name was Kailasanathar worshipped by a hunter and people of the Aadhi Saivar community.
Like many old towns its history dating back to the 1st or 2nd century CE starts with the temple of Lord Kailasanathar.
King Valvil Ori ruled from Kolli malai. He was a kind and generous king loved by his people. A great warrior, he excelled in archery and the story of his killing an elephant, a tiger, a deer, a wild boar and a monitor lizard with a single arrow was told and retold in lands far and wide. His kingdom included the areas of Rasipuram and Sendhamangalam.
Valvil Ori was a great devotee of Lord Siva.
One day, while hunting he was on the trail of a Venn Panri or white pig which led him a long way deep within the forests near Rasipuram. He saw it enter a clump of bushes and shot his arrow into the bushes. Parting the bushes to claim his prize, Ori was startled to see a large Sivalingam hidden in the vegetation. Worse, he saw blood trickling down from the lingam where his arrow had hit it. He realized that it was Lord Siva who had appeared as the Venn Panri. Falling to the ground he prayed to Lord Siva to forgive him. Lord Siva appeared before the king and said that he should build a temple where he found the Lingam. King Ori built a temple for Siva. The sanctum sanctorum or Karuvarai which we see today is believed to be built by Valvil Ori.Later other kings added to and extended the temple.
A narrow street leads to the Iswaran koil as all Siva temples are called by the local people.
Entrance to the temple is through the Rajagopuram which faces west. The beautiful Nandi Mandam with exquisite carvings has a large Nandi. Another mandapam which covers the inner prakaram leads to the artha mandapam and sanctum. The name of Lord Siva is Kailasanathar. The Sivalingam faces west which is special and only found rarely. The Swayambhu lingam is fairly large and bears the mark of a scar where it was hit by King Ori’s arrow. This scar can be seen when abhishegam is performed. The sanctum believed to be built by Valvil Ori is very old. The artha mandapam in front of the sanctum is full of the most beautiful stone carvings.
An ancient doorway to the right leads to an inner prakara and another door ahead opens on the outer prakara. In this inner prakara on both sides of the door from the arthamandapam are two unique shrines. One has a rare embossed sculpture of Vikata chakra Vinayagar carved from a single stone and who has a rudraksha mala in one hand. The shrine to the right of the doorway has the idol of Lord Veerabadra with a Nandi in front.
The name of the Mother goddess is Aram Valartha Nayagi. She faces East and is very beautiful. There is a Mahameru before her. My visit to the temple was on the day after Adi Pooram which is sacred to Parvati, and so was blessed with a darshan of Ambal dressed in all her finery…truly a sight to behold. I was able to take a picture of Ambigai in this alangaram. You can see Ambal wearing two garlands made entirely of glass bangles of all colors. Beautiful,isn’t it ?!
There are two shrines for Lord Murugan. He stands alone as Dhandayudhapani in the first shrine. In the second shrine we see him as Karthigeya seated on a peacock with Valli and Deivanai standing on either side. Saint Arunagirinathar has sung a Tirupugazh hymn on the Murugan of this temple.
The first shrine on the pradakshina path in the outer prakaram starts with the shrine of Lord Kasi Viswanathar with Visalakshi and ends with the shrine of lord Ramanathaswamy with Parvatha vardhini. It reminds us of the beautiful Kasi-Rameshwaram tradition. The pradakshinam itself is truly beautiful with many old and lovely shrines. The sthala vriksham are Nelli and Vilvam trees. There are separate shrines for Sani bhagavan, Kala Bairavar, Pancha lingams, Gajalakshmi, Saraswati, Aiyappan, 63 Nayanmars and four Santhanacharyas.
The Dakshinamurthi shrine is different, almost a small temple by itself. The temple has a utsavar or procession deity of Lord Dakshinamurthy with his four rishi disciples. On the first Thursday of each month, He comes to the shrine of the main Dakshinamurthy. Yellow threads placed in puja are offered as prasad to devotees.
There is a shrine for Naagar, the serpent deity.
A rare and unique feature of this temple is the life size stone sculpture of King Valvil Ori under a Vanni tree, in the outer prakara near the Rajagopuram.
It is the Featured image of this post. It depicts King Ori, tall and majestic with a sword at his hip. Hands folded he is shown deep in prayer to his beloved Siva.
Aadi Perukku is an important festival in the Kolli hills and on this day special abhishekam is performed for this king with puja.
In many old temples, we find granite sculptures of the kings, queens or holy men who built the temple or were associated with it, which is how we come to know about them besides the temple inscriptions in Vattezhuthu, which is the ancient written form of the Tamil language.
Another myth of this temple is that there is a secret underground passage from the Kailasanathar temple that leads to the Arapaleeswarar temple in Kolli Malai.
Do visit this lovely temple!
The temple is open from 6 am to 12 noon and from 4.30 pm to 8.30 pm.
Rasipuram is 33 kms from Salem in Tamil Nadu, and 27 kms from Namakkal.
It is the eve of Vinayaka Chathurthy- a festival for Vinayaka also called Ganesh, Ganapathy or Pillaiyar depending on which part of the country you are in! One of India’s boisterous festivals, loved by young and old alike, it begins with the coming of Ganesha to individual homes and to neighbourhoods, the celebrations over the next few days, not to forget the yummy dishes that are offered to Him and then eaten as Prasad and the final journey to rivers or the sea where the idols are immersed. For the duration of His stay He is one of the household. I always feel sad when it is time for him to leave.
These pictures show Ganesh idols in my hometown, Salem.The featured image shows colourful parasols for Ganapathy and two little ones helping their mother make more parasols! An evening walk in the kadai veethi around the Raja Ganapathy temple in the heart of the city was vastly entertaining!
Thevaaram hymns are the first seven volumes of Saiva Tirumurai, Tamil devotional poetry on Lord Siva. They were composed by the first three among the Nayanmars, the Tamil Saivite saints,
about 1200 years ago, from the 7th century to the 9th century AD. Sambandar, Appar and Sundarar, as they are generally called, form the Tevara Moovar or Tevaram trio.
Independently they undertook long pilgrimages, visiting Siva temples, often accompanied by a group of devotees. At each of the temples they visited they composed and sang hymns glorifying Siva. These hymns were handed down by word of mouth and contain a wealth of information on the places (sthalam) where the temples were located and the glory of Siva in these sthalams and the benefits to be gained from recitals of the hymns. (Sthalam is the Tamil word for a holy place, or a place of pilgrimage.) Appar went a step further and set about cleaning of the temples he visited along with fellow devotees. Such service is called as Uzhavara pani.
Each hymn is called a Pathigam in Tamil and comprises a set of 10 verses or more.
Each hymn is set to a specific Pann, the Tamil equivalent of Ragas, and is unique to Tamil musical tradition. Singing of these hymns at worship services in Sivan temples by the Oduvars is an age old tradition which began when in the 10th to 11th century AD the hymns were compiled, codified and set to music by Nambiandar Nambi at the behest of King Raja Raja Cholan, though it is traditionally acknowledged that Lord Siva himself set the tune. They are exceptionally sweet and melodious to listen to and in Tamil Nadu we are familiar with the traditional rendition of these songs in temples everyday by the Oduvars. They are considered equal to the Sanskrit mantras and as powerful.
Paadal Petra Sthalam
Paadal petra sthalams (பாடல் பெற்ற ஸ்தலம்) are 275 Sivan temples which bear one or more pathigams composed on them.
249 other temples are referred to in the Tevaram. These temples do not bear a pathigam and are called as Tevara Vaippu Sthalam(தேவார வைப்பு ஸ்தலம்). Considering the historical fact that only a part of the Tevaram hymns were recovered in the 10th century by King Raja Raja Cholan, the rest having been destroyed by termites, it is possible that the Vaippu sthalams(வைப்பு ஸ்தலம்) might have had pathigams too which were among those that were destroyed.
We shall never know as these are some of the best kept secrets of history.
Tholur Choleeswarar Temple
The Choleeswara temple at Tholur near Namakkal is a Tevara Vaippu Sthalam.
The temple is mentioned in the pathigams of Tirunavukkarasar (Appar), in the 6th Tirumurai (ஆறாம் திருமுறை)
6.70 க்ஷேத்திரக்கோவை – திருத்தாண்டகம்
( ஆறாம் திருமுறை)
705 கொடுங் கோளூர் அஞ்சைக்களம் செங்குன்றூர்
கொங்கணம் குன்றியூர் குரக்குக் காவும்
நெடுங்களம் நன்னிலம் நெல்லிக் காவும்
நின்றியூர் நீடூர் நியம நல்லூர்
இடும்பாவனம் எழுமூர் ஏழூர் தோழூர்
எறும்பியூர் ஏராரும் ஏமகூடம்
கடம்பை இளங்கோயில் தன்னினுள்ளும்
கயிலாய நாதனையே காணலாமே. 6.70.5
6.71 திருஅடைவு – திருத்தாண்டகம்
715 பிறையூரும் சடைமுடி எம்பெருமான் ஆருர்
பெரும்பற்றப் புலியூரும் பேராவூரும்
நறையூரும் நல்லூரும் நல்லாற்றூரும்
நாலூரும் சேற்றூரும் நாரையூரும்
உறையூரும் ஓத்தூரும் ஊற்றத்தூரும்
அளப்பூர் ஒமாம்புலியூர் ஒற்றியூரும்
துறையூரும் துவையூரும் தோழூர் தானும்
துடையூரும் தொழ இடர்கள் தொடரா அன்றே 6.71.4
Visit to the temple
For a long time I have wanted to visit this temple so close to Namakkal. The only detail available on the internet was that it was a Vaippu sthalam near Namakkal. Google maps wasn’t very helpful. So we set out early one morning in July to search for this temple by the best way possible- asking people about it! At Namakkal we stopped for breakfast at hotel Adyar Ananda bhavan. I asked for the route to Tholur Sivan temple. The hotel staff were not sure but promised to ask around. By the time we finished breakfast the lady supervisor gave me the details-
“Take the Namakkal-Mohanur road. At a place called Aniyapuram turn right to travel for 4 kms to reach Tholur. The temple is right on the main road.”
Delighted, I thanked her and we set out once more on the Namakkal- Mohanur road. Aniyapuram turned out to be a fairly large village 9 kms from Namakkal. A right turn here and driving along a scenic village road for 4 kms, soon we came to Tholur.
On the right was a board that said Arulmigu Sri Visalakshi udanurai Sri Choleewarar Aalayam, Tholur. But there was no temple, only a large grassy vacant plot, enclosed by an ancient stone wall. In the distance was a small stone Nandi in front of a one room asbestos roofed structure which was locked. Beyond lay a vast heap of weathered ancient pink and yellow stone slabs, numbered in red.
I was unprepared for this- no temple where there should have been one. The family who lived in the farmhouse next door very kindly fetched the gurukkal (priest) who opened the temporary shrine so that we might worship.
Inside were the Sivalingam and the temple deities in Palalayam on a cement platform. That first glance of Choleeswarar cannot be described in words, it was overwhelming. The Sivalingam is medium sized but the powerful prescence of the Lord is very palpable.
Next to Choleeswarar is the idol of Ambigai Visalakshi. The beautiful goddess stands smiling. Her image and the tiruvaasi are carved of a single granite stone, a unique feature in this temple.
Next to her is the image of Chandikeswarar. The idol of Ganapathi is on left of Choleeswarar.
All the idols are in palalayam until consecration after the temple is restored. An oil-lamp burns steadily in this little shrine. Nandi and the bali peetam are kept outside.
Palanisami Gurukkal does archanai and gives prasad of vibhuthi and kumkum. Afterwards we sit down before Choleeswarar as he explains about the temple which is more than 1200 years old and about the fact that Tirunavukkarasar has spoken of the Iraivan of this stalam in the hymns composed by him, probably when he visited one of the 7 Kongu Naatu Paadal Petra stalams. He tells us about the stone inscription on a pillar within the temple that speaks of a grant of cotton and oil to the temple. It is a fact, he says, that difficulties of any magnitude are wiped away by the grace of Choleeswara when we pray to him. Prayers to Ambal and performing kalyana utsava facilitate marriages for unmarried girls. It is also a temple for relief from the planetary afflictions of Ragu and Kethu.
Thiru Palanisami Gurukkal is the parambarai archakar of this temple. His father and his grandfather before him have been the archakars here. He recalls the days when he single-handedly cleaned the temple and conducted nityapuja every day. Today his son who has studied in a veda padasala is also involved in the care of the temple.
The 1200 years old temple was dilapidated and roughly a year ago, the archaeological department inspected it and gave a report.Following this the temple was dismantled about six months ago. It is now awaiting reconstruction and renovation using the original ancient stone slabs of the old temple.
Excerpts from the report given on the Choleeswarar temple by the Archaeological Survey of India:
The Siva temple known as Arulmigu Choleeswarar temple…….is situated in a small village called Tholur, 4 kms off Aniyapuram in the Namakkal – Mohanur road.
The east facing temple consists of a garbagriha, an ardha mandapa, antarala and a mukha mandapa and a separate south facing amman shrine. Sub-shrines for Ganesha and Chandikesa are seen.
Lord Siva of this temple has been sung by Appar in one of his hymns.
While analyzing the architectural features of the temple, the specific designs in architectural members and the style, evidently proves that it should have been constructed by a local chieftain of that region.
The only available stone inscription of 16th century Tamil characters is on one of the pillar in the ardha mandapa. This records the grant of oil and cotton to the temple to light lamps.
Present condition of the temple
It is a living temple. The temple has a dry masonry compound with an entrance on the southern side.
Near the entrance in the prakara Naga stones are installed in a raised mud platform.
At the eastern side is a small four pillared Nandi mandapa and behind that is the stone deepastampa.
The stucco figures in the upper structure on the vimana are damaged.
Identifying the figures is difficult by now.
The outer wall veneering stones of the main shrine are disturbed and dislocated all around due to the strong solid roots of trees grown on the terrace.
The temple must be given proper conservation care immediately. It needs attention from the foundation up to the super structure.
The foundation should be checked as the walls are out of plumb and cracked in many places. Reconstruction is inevitable.
Very few stones are seen damaged and broken. The temple can be reset with most of the old stones which are in good condition. The reusing of old stones will help in preserving the ancient value of the temple.
It is recommended to avoid much of cement and to make use of combination of mortar, lime mortar and lime paste etc. while reconstructing the temple as it is our traditional method.
Our temples (in any form) are not only just places of worship but also have a strong binding with our tradition, heritage and culture and these places have remained as places of learning for many centuries. It is our responsibility to carry forward these to the next generation as our elders and ancestors did. This temple which was constructed by our ancestors has stood all these years as a symbol of our heritage, tradition and culture. Every individual should realize and co-operate in safe guarding this priceless contribution of our ancestors.
There is one kala puja everyday between 6am and 10 am. And the temple lamp is lit every evening. Special pujas are performed on Pradosham and other auspicious days. On request abhishegam is performed for swamy and ambigai.
With Ishwara’s grace, hopefully the work on the temple should start soon.
Tholur is 4km from Aniyapuram on the Namakkal- Mohanur road.
Up in the hills, temples are sturdy landmarks in the lush surroundings, quite often built in chosen locations.
Sri Rama temple at Pagoda Point in Thalai cholai village is just such a place.
At four in the afternoon, it is cold up here. The temple is open, the oil lamps are lit but there is no priest. The idols of Rama and Sita are beautiful. There is a small idol of Hanuman in front facing the sanctum. The outer structure is modern and very clean.
The woman in the shop next to the temple says the temple is quite old, no one knows how old. It is one of many Rama temples in the Shevaroy hills. Her kula-deivamon her father’s side is Sri Rama she says, waving a hand in the direction of the temple.
Pagoda point is a view-pointin the hills, a short distance from Yercaud Lake. Named after the stone cairns that are found here which are built in the shape of a pyramid or a pagoda, it is sometimes mispronounced as pakoda point! It is these stone cairns and the view-point that are the main tourist attractions. These cairns are 5 to 7 feet high. The lady shop-keeper says they are used to light the ceremonial lamps during the festival in the month of Karthigai.“Karthigai Maasam vaanga.Romba nalla irrukum,” she invites in Tamil, meaning, ‘You should come here in the month of Karthigai(for the festival). It is very nice then’. Her husband is also the caretaker of the temple. “We come here around 12 noon,” she says, “There are crowds of tourists on week-ends and holidays. On other days we just sit here”, she smiles.
The view-point overlooks the valley. Wispy clouds float across the valley at eye-level! Fog surrounds you and moves away minutes later! Down below you can see a tribal village and another temple. It is a lovely place for a visit.
The pictures below show how the fog brought road-visibility to near zero on our way back from the temple.
Thick fog obscures the signpost
Pagoda point is roughly 4 km from Yercaud Lake in Thalai cholai village.
This post is offered humbly at the feet of Satguru Sadasiva Bramendrar of Nerur and my Gurudeva Sri Paramahamsa Yogananda.
Some holy places are capable of bestowing immense peace on all who visit. One such place is the Adishtanam of Satguru Sri Sadasiva Brahmendra in Nerur,near Karur in Tamil Nadu. Set amidst paddy fields and mango and coconut groves, the river Kaveri flows closeby. To many many Indians all over the world, Sadasiva Brahmendra is their maanasika Guru, the ever present guiding spiritual force in their lives.
Sadasiva Brahmendra was a saint who lived in the eighteenth century in Tamil Nadu. Gurudeva Sri Paramahansa Yogananda, during his year-long visit to India from America in 1935, sought out and visited many holy men and holy places which are recorded in his book, ‘Autobiography of a Yogi’. He gives a brief account of Sadasiva Brahmendra and says he was, ‘a lovable and fully illumined Master’.
Sadasiva Brahmendra was born to deeply religious parents Moksha Somasundara Avadhani and Parvati in Madurai. It is said that his mother Parvati was initiated into Rama japa and advised to chant it crores of times so that every cell in her body was charged with the nama. A child born to her in this state would become an exalted mahaan or saint. The couple prayed for a child to Ramanathaswamy in the famous temple in Rameshwaram and the son born as an answer to their prayers was named Sivaramakrishnan.
Somasundara Avadhani took his family to Tiruvisainallur near Kumbakonam, which was then the hub of learned masters of Vedanta. As a young boy Sadasiva studied under Ramabhadra Dikshitar and was a gifted student. At the age of 17, he was married but left home soon after to pursue his true calling. He went to Tiruvenkadu to meet his guru Paramasivendra Saraswatiunder whose tutelage he became a brilliant scholar well versed in the Vedas. He authored several Sanskrit works which include commentaries on the Brahma Sutras and Patanjali’s Yoga Sutras.
Sadasiva delighted in engaging in religious debates with Vedanta scholars. Invariably he defeated them. One such defeated scholar went and complained to Guru Paramasivendra about this behavior of Sadasiva. Paramasivendra summoned Sadasiva and said “What is the use of these intellectual debates? When will you learn to be silent?” “From this moment”, replied Sadasiva and became a non-speaking ascetic. He took to sanyasa and was given the formal monastic title of Sadasivendra Saraswati. Taking leave from his guru, he roamed the forests and unfrequented river banks, going deep in meditation for long periods of time. It is believed he spent many months in meditation in Nerur.
Among the disciples of Guru Paramasivendra, three attained the highest spiritual wisdom called gnana – (1) Sri Sadasiva Brahmendra (2) Sri Bodhendra (3) Sri Sridara Ayyaval. Of these three disciples Sadasiva Brahmendra went on to attain the highest spiritual state of Avadhoota.
In the higher stages of spirituality, he rejected all accepted norms. He wore no cloth and roamed everywhere in a state of enlightened bliss.
After he became an Avadhuta he once visited his childhood friend and fellow pupil Sridara Ayyaval of Tiruvisainallur who said that he accepted his vow of silence but what stopped him from singing songs on the Lord. Sadasiva then wrote several Carnatic kritis (musical compositions) some of which are mainstays in kacheris (concerts) today. A few of the more popular ones areMaanasa Sanjara Re in which he urges the human mind to always linger in the Supreme Brahman, Sarvam Brahmamayamin which he says that everything in Creation is purely the essence of Brahman, Pibare Rama Rasamin which he extolls the wondrous benefits of chanting Rama nama. He dedicated all his musical compositions to his guru. The insignia of his keertans was Paramahamsa guru and Paramasivendra sriguru.
Vijaya Raghunatha Thondaiman, the Raja of Pudukottai, learnt about this great master and went in search of him. He met the saint in the forests near Pudukottai and implored him to return to the palace with him. The saint did not reply. He merely walked into a thicket of thorn trees and sat down to meditate. The raja set up camp near the saint and served the master for many years, attending to his royal duties at the same time. He asked for and received religious instruction which Sadasiva wrote on sand and which the successive rulers of Pudukottai hold as sacred to this day. Sadasiva Brahmanendra instructed the king to appoint Gopalakrishna sastri of Pitchandar koil as the royal guru. His descendants served as guru to the subsequent rulers of Pudukottai.
Many are the miracles that are told of this exalted master. One day, villagers saw the saint who was immersed in deep meditation on a bank of the Kaveri river being carried away by a sudden flood. They searched for him everywhere, in vain. Weeks later, near Kodumudi near Erode, when villagers dug a mound of earth near the river for sand to use in construction, they were shocked to see blood on their shovels. They found Sadasiva buried in the sand and freed him. The saint, in a trance, stood up and quietly walked away.
Once Sadasiva brahman was walking across some fields. It was harvest time and the saint stumbled on a stone and fell between stacks of hay. The farm workers, not noticing him continued to pile hay high on the stack. A year later when the hay was used up, Sadasiva Brahman picked himself up and walked away, to the shock of the workers.
Sadasiva Brahmendra adored children. Children from the village of Mahadanapuram on the banks of the Kaveri, who were fond of him, once expressed a desire to attend the festival in Madurai, a 100 miles away. In an instant he had transported them to the festival and back. Their parents were awestruck when the children told them about the wonderful time they had in Madurai at the festival. They even had bags of Madurai sweets.
Another time the saint was immersed in meditation near a heap of grains in a field. The farmer thought he was a thief and raised his staff to strike him. Lo! He became frozen like a statue. When Sadasiva came out of his trance his gaze brought the farmer out of his frozen state. He hastened to ask for the saint’s forgiveness.
Another incident describes how some soldiers made him carry firewood on his head when he was roaming the forests near Pudukottai. Sadasiva happily carried the load. When it was put down on a larger stack of firewood, the entire lot burst into flames and was reduced to ashes. Only then the soldiers realized that this was no ordinary person but an exalted master.
An illiterate man who was born dumb was a great devotee of Sadasiva. One day the saint placed his hand on the man’s head and prayed to God that He may bestow the gifts of speech and knowledge on him. By the grace of the Guru, he was able to speak and went on to become a famous scholar, Akasha Purana Ramalinga Sastry.
The saint once walked into the tent of a moslem chieftain in a trance. The ladies were alarmed on seeing the nude saint. In a fit of anger the chieftain slashed the arm of Sadasiva. Unconcerned, Sadasiva walked away. The stunned chieftain realized that he was a saint. Filled with remorse he picked up the arm and fell at the feet of the master begging forgiveness. Sadasiva Brahman came out of his trance, inserted the arm into the bleeding stump which instantly healed and went on his way.
Sadasiva Brahmendra consecrated deities in many temples. He also installed yantras in many of them.
Sadasiva Brahmendra attained Jeeva Samadhi in 1750 A.D. in Nerur. He fulfilled the wish of his ardent disciple Raja Vijaya Raghunatha Thondaiman that he should settle down in land that belonged to the king. Here the river Kaveri flows south (dakshina) which adds to the sanctity of the place. Before he was immersed in Jeeva Samadhi, Sadasiva Brahman had clearly stated that on the nineth day following his Jeeva Samadhi, a holy bilva tree (bael tree) would grow above his head. On the tenth day a Brahmachari would bring a sivalingam from Kasi (Varanasi) which should be consecrated 12 feet in front of the bilva tree. All the incidents came to pass exactly as predicted. The Raja of Pudukottai built a temple in which the lingam was consecrated and arranged for regular pujas to be done at the temple and at the Jeeva Samadhi of the Guru.
He is said to have attained Samadhi at three places simultaneously – at Nerur and Manamadurai in Tamil Nadu and Karachi in Pakistan.
The younger brother of Kanchi Maha Periyava, Sri Sadasiva Sastrigal popularly known as Sivan Sir gives a detailed account of Sri Sadasiva Brahmendra in his monumental work titled ‘Yenipadigalil Maandhargal’(Tamil).In this book Sivan Sar says that Sadasiva Brahmendra attained Mahasamadhi at five places corresponding to the five elements – Panchabhootas.
He also mentions that Sri Brahmendral blessed two Muslim brothers (Irratai Mastan) with knowledge of the Divine. Their Samadhi (dargah) is located in Tanjavur.
Since his Jeeva Samadhi, the miracles continue. One incident stands out like a beacon and is connected with the 33rd Shankaracharya of Srigeri Sarada Peedam.
Sri Sachidananda Shivabhinava Narasimhabarathi Swami was the 33rd pontiff of Srigeri Sarada Peetam. In the 1902 he visited Karur district and was pulled mysteriously by the adishtanam of Sri Sadasiva Brahmendra in Nerur. To know more about the adishtanam, the seer sat fasting for three days in front of the adishtanam and finally had a dialogue with Sri Brahmendra on a subtle plane. Overcome with divine bliss he instantly composed 45 stanzas called Sri Sadasivendra Sthava and another hymn called Sri Sadasivendra Pancharatna. In his final years, Sri Shivabinava Narasimhabarathi swamy was greatly influenced by a masterpiece of Sadasiva Brahman titled Atma Vidya Vilasam. His successor, the 34th pontiff of Sringeri peetam Sri Chandrashekara Bharathi Swamy lived his life in the true spirit of this classic.
Visit to Sadasiva Brahmendral Adishtanam
The adishtanam is located in Nerur, a village 10km from Karur in Tamil Nadu.
The bustle of the city gives way to the charm of a rural countryside, lush and beautiful which makes the drive to the adishtanam along winding roads and tiny villages a memorable experience.
The arch at the entrance has the words Sri Satguru Sadasiva Brahmendral Mahasannidhi written on it in Tamil. It leads to the small beautiful temple of Kasi Viswanathar – Visalakshi Ambal. A passage to the left leads to the adishtanam of Guru Sadasiva Brahmendrar. It is the ideal place for meditation. Straw mats are placed here for those who wish to meditate. There is a small lingam on the adishanam. Archanai to the Guru is done here. Behind it is the holy bilva tree which appeared miraculously as promised by the Guru. Saffron Vastra is wrapped around it. Behind the samadhi Sri Sadasivendra Sthava and Sri Sadasivendra Pancharatna are inscribed on granite slabs.
Devotees light lamps, give offerings and pray quietly. Silence prevails. It is a soothing, healing silence that seeps to the depths of our beings, purifying, and cleansing, bestowing peace. The only sounds are the sound of the wind in the maghizham and mango trees overhead, the chirping of the birds and the occasional muted sounds of puja bells, melodious intonation of mantras as aarti is performed and the hushed voices of visitors.
Silence was the language of Sri Sadasiva Brahmendra and it is this silence that can be experienced here.
The grace of Guru Sadasiva Brahmendra continues to pour on all who seek him.
‘Autobiography of a Yogi’ by Sri Sri Paramahansa Yogananda
A compilation of the life of Sri Sadasiva Brahmendra drawn from the book by Sivan Sir, ‘Yenipadigalil Manthargal’
Literature on Sadsiva Brahman made available at the Adhistanam, Nerur, by Dr. A. Rajasimha, Simha Heart Foundation, Mysore.